例文・使い方で印象づける「verses」の覚え方


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...He wrote manymore, but, as has been said, these three verses were all that could beplainly and perfectly deciphered...   He wrote manymore, but, as has been said, these three verses were all that could beplainly and perfectly decipheredの読み方
Miguel de Cervantes 「The History of Don Quixote, Vol. I, Complete」

...He suggested, too, that he should treat herto music, and write verses in her praise, and if he was unwilling to takethe trouble of composing them, he offered to do it himself...   He suggested, too, that he should treat herto music, and write verses in her praise, and if he was unwilling to takethe trouble of composing them, he offered to do it himselfの読み方
Miguel de Cervantes 「The History of Don Quixote, Vol. I, Complete」

...These were all the verses that could be deciphered; the rest, the writingbeing worm-eaten, were handed over to one of the Academicians to make outtheir meaning conjecturally...   These were all the verses that could be deciphered; the rest, the writingbeing worm-eaten, were handed over to one of the Academicians to make outtheir meaning conjecturallyの読み方
Miguel de Cervantes 「The History of Don Quixote, Vol. I, Complete」

...There Gustavo, with Correa, Manuel del Palacio,Augusto Ferrán, and other friends, used to gather for musicaland literary evenings, and there Gustavo used to read his verses...   There Gustavo, with Correa, Manuel del Palacio,Augusto Ferrán, and other friends, used to gather for musicaland literary evenings, and there Gustavo used to read his versesの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...Second Class: Hendecasyllables of the second class areeleven-syllable verses with the accent on the fourth, eighth, andtenth syllables...   Second Class: Hendecasyllables of the second class areeleven-syllable verses with the accent on the fourth, eighth, andtenth syllablesの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...In verses of eleven or twelve syllables, however,the caesura is usually employed to give a break in adetermined place...   In verses of eleven or twelve syllables, however,the caesura is usually employed to give a break in adetermined placeの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...This distinction is of little value, however, for verses insimple and compound assonance alternate constantly...   This distinction is of little value, however, for verses insimple and compound assonance alternate constantlyの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...Cuartetas, properly so called, are strophes of foureight-syllable verses, of which the second verse rhymes (or is inassonance) with the fourth...   Cuartetas, properly so called, are strophes of foureight-syllable verses, of which the second verse rhymes (or is inassonance) with the fourthの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...It is not customary to put a final wordthat is aguda in the uneven verses of compositions written inhendecasyllables, or in verses that rhyme with them...   It is not customary to put a final wordthat is aguda in the uneven verses of compositions written inhendecasyllables, or in verses that rhyme with themの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...Quintillas are combinations of five verses that have buttwo rhymes, of which one occurs three times and the othertwice...   Quintillas are combinations of five verses that have buttwo rhymes, of which one occurs three times and the othertwiceの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...These verses may rhyme at the will of the poet, providedthat three verses having the same rhyme do not follow eachother successively...   These verses may rhyme at the will of the poet, providedthat three verses having the same rhyme do not follow eachother successivelyの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...There are four variants, but all must have the fourth andeighth verses agudos...   There are four variants, but all must have the fourth andeighth verses agudosの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...The first,third, and sixth verses are libres, the second and fourth havethe same assonance, and the fifth and seventh another distinctassonance...   The first,third, and sixth verses are libres, the second and fourth havethe same assonance, and the fifth and seventh another distinctassonanceの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...[Footnote 1:This poem, of the form called Octava real, with the regular rhymescheme a b a b a b c c, is composed of hendecasyllabic verses of the firstclass, save the 2d, which is of the second class...   [Footnote 1:This poem, of the form called Octava real, with the regular rhymescheme a b a b a b c c, is composed of hendecasyllabic verses of the firstclass, save the 2d, which is of the second classの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...The even verses of each stanza have the sameassonance throughout, as does the refrain...   The even verses of each stanza have the sameassonance throughout, as does the refrainの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...Notice the esdrújulosterminating the 2d and 8th verses...   Notice the esdrújulosterminating the 2d and 8th versesの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

...[Footnote 1:This poem is composed entirely of heptasyllabic verses...   [Footnote 1:This poem is composed entirely of heptasyllabic versesの読み方
Gustavo Adolfo Becquer 「Legends, Tales and Poems」

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