例文・使い方で印象づける「venice」の覚え方


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...of Spain, and the Venetian Republic, against Selim, theGrand Turk, who was attacking Cyprus, then belonging to Venice...   of Spain, and the Venetian Republic, against Selim, theGrand Turk, who was attacking Cyprus, then belonging to Veniceの読み方
Miguel de Cervantes Saavedra 「The History of Don Quixote de la Mancha」

...South had heard from her twice,from Venice and Corfu; long, trivial,ill-spelt letters, lined with a secret wistfulnesshe had not perceived, under thebrave talk of travel...   South had heard from her twice,from Venice and Corfu; long, trivial,ill-spelt letters, lined with a secret wistfulnesshe had not perceived, under thebrave talk of travelの読み方
Various 「Ainslee's magazine, Volume 16, No. 3, October, 1905」

...The republic of Venice had been signally indebtedto his courage, but had not rewarded him...   The republic of Venice had been signally indebtedto his courage, but had not rewarded himの読み方
Edward Jesse 「Anecdotes of Dogs」

...That there is but one Venice in America is the verdictof all who have visited this charming sea-side resort...   That there is but one Venice in America is the verdictof all who have visited this charming sea-side resortの読み方
Harry Thom Payne 「Game Birds and Game Fishes of the Pacific Coast」

... —Bertoni, a famous instructor in music, while residing in Venice, took a pigeon for his companion, and, being very fond of birds, made a great pet of it...   
—Bertoni, a famous instructor in music, while residing in Venice, took a pigeon for his companion, and, being very fond of birds, made a great pet of itの読み方
Samuel Griswold Goodrich 「Illustrative Anecdotes of the Animal Kingdom」

...,Carlo Rezzonico of Venice (1758-1769), was intrusted toCanova...   ,Carlo Rezzonico of Venice (1758-1769), was intrusted toCanovaの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...Mark’s at Venice,marbles and mosaics were used in great profusion...   Mark’s at Venice,marbles and mosaics were used in great profusionの読み方
Richard Glazier 「A Manual of Historic Ornament」

...At Venice, the Gothic is differentiated bythe use of the ogee arch with cusps and pierced quatrefoils...   At Venice, the Gothic is differentiated bythe use of the ogee arch with cusps and pierced quatrefoilsの読み方
Richard Glazier 「A Manual of Historic Ornament」

...Mark’s at Venice, A...   Mark’s at Venice, Aの読み方
Richard Glazier 「A Manual of Historic Ornament」

...The art of enamelling metals appears to have been introducedfrom Byzantium through Venice into Western Europe at theclose of the tenth century...   The art of enamelling metals appears to have been introducedfrom Byzantium through Venice into Western Europe at theclose of the tenth centuryの読み方
A. Hugh Fisher 「Bell's Cathedrals: The Cathedral Church of Hereford, A Description」

...He was medallist and painter both, worked with Gentile daFabriano in the Ducal Palace at Venice and elsewhere, and his artseems to have an affinity with that of his companion...   He was medallist and painter both, worked with Gentile daFabriano in the Ducal Palace at Venice and elsewhere, and his artseems to have an affinity with that of his companionの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on art...   Some sayout of Venetian skies and waters, and, doubtless, these had somethingto do with the Venetian color-sense; but Venice in its color was alsoan example of the effect of commerce on artの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...;Montagna, Madonnas Brera, Venice Acad...   ;Montagna, Madonnas Brera, Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...(the Warrior and Horse attributed to "School ofBellini"); Basaiti, Venice Acad...   (the Warrior and Horse attributed to School ofBellini); Basaiti, Venice Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Technically he adopted the oil medium brought to Venice by Antonelloda Messina, introducing scumbling and glazing to obtain brilliancy anddepth of color...   Technically he adopted the oil medium brought to Venice by Antonelloda Messina, introducing scumbling and glazing to obtain brilliancy anddepth of colorの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He is supposed to have studied at Venice, because of hisrich, glowing color...   He is supposed to have studied at Venice, because of hisrich, glowing colorの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

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