例文・使い方で印象づける「raphael」の覚え方


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...In Kingsley’s Hypatia, Raphael BenAzra, his head filled with a false philosophy,is made again and again to actotherwise than he would by the mastiffBran...   In Kingsley’s Hypatia, Raphael BenAzra, his head filled with a false philosophy,is made again and again to actotherwise than he would by the mastiffBranの読み方
Major Gambier-Parry 「'Murphy'」

...Contemporary with Michel Angelo was Raphael (1483-1520), who displayedthe highest capacity for grace and refinement in painting...   Contemporary with Michel Angelo was Raphael (1483-1520), who displayedthe highest capacity for grace and refinement in paintingの読み方
Richard Glazier 「A Manual of Historic Ornament」

...The Loggia of theVatican, by Bramante, was also decorated by Raphael and his pupils...   The Loggia of theVatican, by Bramante, was also decorated by Raphael and his pupilsの読み方
Richard Glazier 「A Manual of Historic Ornament」

...If anybody looks at a picture by Claude Monet from the point ofview of a Raphael, he will see nothing but a meaningless jargon ofwild paint-strokes...   If anybody looks at a picture by Claude Monet from the point ofview of a Raphael, he will see nothing but a meaningless jargon ofwild paint-strokesの読み方
Harold Speed 「The Practice and Science Of Drawing」

...Naturally he was influenced somewhat by the great ones abouthim, learning perspective from Raphael, grandeur from Michael Angelo,and contours from Leonardo da Vinci...   Naturally he was influenced somewhat by the great ones abouthim, learning perspective from Raphael, grandeur from Michael Angelo,and contours from Leonardo da Vinciの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Rome; Raphael,Marriage of Virgin Brera, Madonna and Vision of Knight Nat...   Rome; Raphael,Marriage of Virgin Brera, Madonna and Vision of Knight Natの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Correggio's immediate pupils and followers, like those of Raphael andAndrea del Sarto, did him small honor...   Correggios immediate pupils and followers, like those of Raphael andAndrea del Sarto, did him small honorの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Baroccio (1528-1612), though classed among the Mannerists as animitator of Correggio and Raphael, was really one of the strong men ofthe late times...   Baroccio (1528-1612), though classed among the Mannerists as animitator of Correggio and Raphael, was really one of the strong men ofthe late timesの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

..." To consider emotion, color, orlight as the equal of form was monstrous, and to compare Rembrandtwith Raphael was blasphemy...    To consider emotion, color, orlight as the equal of form was monstrous, and to compare Rembrandtwith Raphael was blasphemyの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Heafterward went to Italy, studied Raphael and Michael Angelo, andreturned to Utrecht to open a school and introduce Italian art intoHolland...   Heafterward went to Italy, studied Raphael and Michael Angelo, andreturned to Utrecht to open a school and introduce Italian art intoHollandの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He approved of nothing and of nobody--despisingeven Raphael, the gentle and lovingman whom the pleasure-crazed people of Romepaused to smile upon and love...   He approved of nothing and of nobody--despisingeven Raphael, the gentle and lovingman whom the pleasure-crazed people of Romepaused to smile upon and loveの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...There were three great artistsof that time, the other two being MichaelAngelo and Leonardo da Vinci, both of whomwere absolutely unlike Raphael in their artand in their characters...   There were three great artistsof that time, the other two being MichaelAngelo and Leonardo da Vinci, both of whomwere absolutely unlike Raphael in their artand in their charactersの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...It is said that it was from her Raphael inheritedhis beauty, goodness, mildness, and genius...   It is said that it was from her Raphael inheritedhis beauty, goodness, mildness, and geniusの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Trinita at Citta di Castello, and Raphael undertookit, painting the "Trinity," on one canvasand the "Creation of Man" on another...   Trinita at Citta di Castello, and Raphael undertookit, painting the Trinity, on one canvasand the Creation of Man on anotherの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...When Raphael appeared, his bent knee, his"chestnut locks falling upon his shoulders,the pope exclaimed: ' He is an innocentangel...   When Raphael appeared, his bent knee, hischestnut locks falling upon his shoulders,the pope exclaimed:  He is an innocentangelの読み方
Dolores Bacon 「Pictures Every Child Should Know」

..."Giulio Borghesi thought of Michael Angelofor this valuation, and begged him to go tothe church and estimate the figures of Raphael...   Giulio Borghesi thought of Michael Angelofor this valuation, and begged him to go tothe church and estimate the figures of Raphaelの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...It is said that the "Sistine Madonna," whilepainted from an Italian model--doubtlessthe lady whom Raphael so dearly loved--hasuniversal characteristics, so that she may "beunderstood by everyone...   It is said that the Sistine Madonna, whilepainted from an Italian model--doubtlessthe lady whom Raphael so dearly loved--hasuniversal characteristics, so that she may beunderstood by everyoneの読み方
Dolores Bacon 「Pictures Every Child Should Know」

..." The walls wereliterally covered with pictures, among whichwas a Raphael...    The walls wereliterally covered with pictures, among whichwas a Raphaelの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...You have here in Oxford one of thefinest collections in Europe of drawings in pen, and chalk, by MichaelAngelo and Raphael...   You have here in Oxford one of thefinest collections in Europe of drawings in pen, and chalk, by MichaelAngelo and Raphaelの読み方
John Ruskin 「Lectures on Art」

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