...The snows covering the peaks show allof the colors, variations, and tones of the artist's palette, and more... 
Matthew A. Henson 「A Negro Explorer at the North Pole」
...) A painter's palette, containing crushed gold, bronze, ruby and amethyst, would find it difficult to rival these sumptuous colours...
J. Henri Fabre 「More Hunting Wasps」
...We illustrate a fragment of another votive shield or palette of the same kind, now in the museum of the Louvre, which probably came originally from Hierakonpolis...
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」
...In the early periods of art,when the palette was chiefly confined to native pigments, the paintercould not very well go wrong...
George Field 「Field's Chromatography」
...No purpose would be answered bycrowding the palette with mere repetitions, even though they werestable...
George Field 「Field's Chromatography」
...With pigments aswith persons, evil communications corrupt good manners—a motto thatmight be written with advantage on every palette...
George Field 「Field's Chromatography」
...We are not aware that murexide has yet beenbrought forward as a pigment, and judging from its character as a dye,it would scarcely enrich the palette...
George Field 「Field's Chromatography」
...In this list of blues, which grace or disgrace the palette of thepresent day, there is one colour which, although not permanent, isalmost indispensable...
George Field 「Field's Chromatography」
...is a still later addition to the palette, and the only permanent greenwhich can be described as gorgeous, being not unlike the richest velvet...
George Field 「Field's Chromatography」
...On the palette it would be superfluous, but for common purposesmight be found of service...
George Field 「Field's Chromatography」
...A reference to the numbered italicised greens will show that there aremany not known to the palette, which are nevertheless very greatlysuperior, as regards permanence, to some that disgrace it...
George Field 「Field's Chromatography」
...The one pigment in this chapter known to the modern palette, Rubens'madder, is permanent...
George Field 「Field's Chromatography」
...It is clear that theolive pigments which the palette does not know, are better than thosewith which it is acquainted...
George Field 「Field's Chromatography」
...native or artificial, are well represented on the palette, but nothingwould be easier than to increase their number...
George Field 「Field's Chromatography」
...Some of the best blacks and neutrals of the painter are those formedwith colours of sufficient power and transparency upon the palette...
George Field 「Field's Chromatography」
...Without waiting till thepicture is finished—for then it will be too late—let her, if in doubt,frankly display the contents of her palette and ask advice...
George Field 「Field's Chromatography」
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