...This produces a uniformity which is evidently inferior, froman æsthetic point of view, to the modelling of the correspondingregion of the human body... 
Édouard Cuyer 「Artistic Anatomy of Animals」
...— "Piece Moulds," And Modelling Fruit In Plaster— Preserving Spiders — Making Skeletons Of Animals,Skeleton Leaves Etc...
Montagu Browne 「Practical Taxidermy」
...I will now proceed to demonstrate how the learner may workhimself up to a respectable proficiency in modelling animals,should he possess the necessary aptitude...
Montagu Browne 「Practical Taxidermy」
...Taking now the natural skull (A B), we open the jaws as muchas desired, and filling in the cavities with paper and tow,perfect the shape by modelling with clay to replace the flesh...
Montagu Browne 「Practical Taxidermy」
...Cement for Modelling...
Montagu Browne 「Practical Taxidermy」
...I would suggestdipping the model (when dry) in melted wax to give a surface forcolouring, or modelling it in paper...
Montagu Browne 「Practical Taxidermy」
...A dignity of conception and unity of composition werehere combined with skilful modelling of relief work, and fine colouringof blue, turquoise and yellow...
Richard Glazier 「A Manual of Historic Ornament」
...In caseswhere the correction of intricate modelling is desired and where itwould be very difficult to alter a part accurately by a deft strokeof the brush, this method is useful to employ...
Harold Speed 「The Practice and Science Of Drawing」
...Neither should the modelling of the sphere ever occur in your work,the dullest of all curved surfaces...
Harold Speed 「The Practice and Science Of Drawing」
...But they love to get somestrongly-accented feature, such as a crisply-painted shirt comingagainst the soft modelling of the neck, to balance the fused edgesin the flesh...
Harold Speed 「The Practice and Science Of Drawing」
...The less expenditure of tone values you can express your modellingwith, the better, as a general rule...
Harold Speed 「The Practice and Science Of Drawing」
...There must have been knowledgeof color, modelling, and relief to have produced such an illusion, butthe aim was petty and unworthy of the skill...
John C. Van Dyke 「A Text-Book of the History of Painting」
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