...For the firstportion, there is a ligament which surmounts the cervicalregion, and substitutes its modelling influence for that of thevertebræ... 
Édouard Cuyer 「Artistic Anatomy of Animals」
...Finally, sew up, and ifyour modelling is correct all the remainder must of necessity becorrect also...
Montagu Browne 「Practical Taxidermy」
...Often hardened wax, linseed oil and plaster, plastercomposition, modelling wax, cobbler's wax, shellac, or what not,is used to represent the muscles and "flabby" parts...
Montagu Browne 「Practical Taxidermy」
..." — thanthat you have been using previously in modelling mammals, or tofill out the skins of fishes; also some tempered clay —described in Chapter VII...
Montagu Browne 「Practical Taxidermy」
...—A Practical Treatise on the Artand Craft of Plastering and Modelling...
Richard Glazier 「A Manual of Historic Ornament」
...After these incisedlines some man of genius thought of cutting away the surface of thewall between the outlines and modelling it in low relief...
Harold Speed 「The Practice and Science Of Drawing」
...Agreat deal of the modelling in round objects is to be expressed bythis variety of handling...
Harold Speed 「The Practice and Science Of Drawing」
...Compared withGreek work it lacks that subtle variety in the modelling that givesvitality...
Harold Speed 「The Practice and Science Of Drawing」
...And this vitalitydepends, I think it will be found, on the greater amount oflife-giving variety in the surfaces of the modelling...
Harold Speed 「The Practice and Science Of Drawing」
...But it is at the sacrifice of many beautiful qualities ofform, as this roughness of surface does not lend itself readily toany finesse of modelling...
Harold Speed 「The Practice and Science Of Drawing」
...Butwhile studying the gradations of tone that express form and givethe modelling, you should never neglect to keep the mind fixed uponthe relation the part you are painting bears to the whole picture...
Harold Speed 「The Practice and Science Of Drawing」
...There must have been knowledgeof color, modelling, and relief to have produced such an illusion, butthe aim was petty and unworthy of the skill...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Hiswork was detailed, and yet executed with a broader, freer brush thanformerly, and with more variety in color, modelling, expression ofcharacter...
John C. Van Dyke 「A Text-Book of the History of Painting」
...It was at Augsburg that the Renaissance art in Germany showed in morerestful composition, less angularity, better modelling and painting,and more sense of the ensemble of a picture...
John C. Van Dyke 「A Text-Book of the History of Painting」
...Look at this pictureof Daniel and see how like sculpture thepose and modelling appear to be...
Dolores Bacon 「Pictures Every Child Should Know」
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