...If thereplica of the Pietà of Michelangelo, which we admire inthe church of S... 
Rodolfo Lanciani 「Pagan and Christian Rome」
...To makeus feel power as Masaccio and Michelangelo doat their best is indeed an achievement, but itrequires the highest genius and the profoundestsense for the significant...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...
Andrea del Sarto approached perhaps asclosely to a Giorgione or a Titian as could aFlorentine, ill at ease in the neighbourhood ofLeonardo and Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...The first person since the greatdays of Greek sculpture to comprehend fullythe identity of the nude with great figure art,was Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
...Pupil of Perugino and Franciabigio;influenced by Andrea del Sarto and Michelangelo...
Bernhard Berenson 「The Florentine Painters of the Renaissance」
..." Yet while Michelangelo can never be a popular artist in theordinary sense of the word, the powerful influence which he exercisesseems constantly increasing...
Estelle M. Hurll 「Michelangelo」
...The life of Michelangelo has furnished material for two long poems byAmerican writers,—Longfellow's drama, and the poem by Stuart Sterne...
Estelle M. Hurll 「Michelangelo」
...Thearchitect Bramante first made a scaffolding for the work, so clumsilyconstructed that Michelangelo replaced it by one of his own invention...
Estelle M. Hurll 「Michelangelo」
...From 1530-1533 Michelangelo carriedthem to the point of completion in which they are now seen: they werenever fully finished...
Estelle M. Hurll 「Michelangelo」
...Our illustration is from a bas-relief by Michelangelo, and as weexamine it closely we discover that the sculptor's work was leftunfinished...
Estelle M. Hurll 「Michelangelo」
...Critics of sculpture tells us that the statue of David must have beenstudied from a model of the age which Michelangelo imagined as that ofthe shepherd lad at this time...
Estelle M. Hurll 「Michelangelo」
...The marble group by Michelangelo interprets such a moment for us...
Estelle M. Hurll 「Michelangelo」
...Now as this is the Christ risen, or triumphant, the Christ who hasconquered death and the grave, Michelangelo wanted to do all he couldto make a noble-looking figure...
Estelle M. Hurll 「Michelangelo」
... Symonds, in Life of Michelangelo Buonarotti...
Estelle M. Hurll 「Michelangelo」
...He lived to a great old age, but he was so youngwhen he first showed his prophetic gifts that it is natural to thinkof him in his youth as Michelangelo has represented him...
Estelle M. Hurll 「Michelangelo」
...These sibylline leaves, as they were called, contained passagessupposed to be prophetic of the coming of Christ, and this is why theCumæan sibyl is placed by Michelangelo among the prophets...
Estelle M. Hurll 「Michelangelo」
...It mattered nothing to Michelangelo that he had so poor a subject fora statue...
Estelle M. Hurll 「Michelangelo」
...So Michelangelo began designs for the sacristy, the entire decorationof which was intrusted to him...
Estelle M. Hurll 「Michelangelo」
...Had not Michelangelo been inhiding, he too would have perished...
Estelle M. Hurll 「Michelangelo」
... Michelangelo...
Anthony M. Ludovici 「Nietzsche and Art」
...These new values of the Renaissance spirit were scarcely one hundredyears old, when Michelangelo set himself the task of embodying them inhis sculpture and painting...
Anthony M. Ludovici 「Nietzsche and Art」
...But are not all these defectsprecisely of a kind which are unfortunately inseparable from theposition which Michelangelo assumed?...
Anthony M. Ludovici 「Nietzsche and Art」
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