例文・使い方で印象づける「florentine」の覚え方


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... 26 () [ "The strong-box of Cosmo de Medici was the grave of Florentine liberty," said M...         26 () [ The strong-box of Cosmo      de Medici was the grave of Florentine liberty, said Mの読み方
P. J. Proudhon 「What is Property?」

...It has the refulgency of copperpyrites, of gold, of Florentine bronze...   It has the refulgency of copperpyrites, of gold, of Florentine bronzeの読み方
Jean Henri Fabre Alexander Teixeira de Mattos 「The Glow-Worm and Other Beetles」

... Anthidium florentinum (see Florentine Anthidium)...         Anthidium florentinum (see Florentine Anthidium)の読み方
J. Henri Fabre 「Bramble-bees and Others」

...Ghiberti’schief works are the two bronze gates for the Florentine Baptistery; thefirst gate is dated 1403-24, and the second 1425-50...   Ghiberti’schief works are the two bronze gates for the Florentine Baptistery; thefirst gate is dated 1403-24, and the second 1425-50の読み方
Richard Glazier 「A Manual of Historic Ornament」

...Again, their art wasmore ornate, richer in costume, color, and detail than Florentine art;but it was also more finical and narrow in scope...   Again, their art wasmore ornate, richer in costume, color, and detail than Florentine art;but it was also more finical and narrow in scopeの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Perugino belongs to the Umbrian school, andLorenzo di Credi (1450-1537), though Florentine, never outgrew thefifteenth century...   Perugino belongs to the Umbrian school, andLorenzo di Credi (1450-1537), though Florentine, never outgrew thefifteenth centuryの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Umbrian born, but Florentine trained, hebecame more scientific than sentimental, and excelled as a craftsman...   Umbrian born, but Florentine trained, hebecame more scientific than sentimental, and excelled as a craftsmanの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...THE FLORENTINES AND ROMANS: There was a severity and austerity aboutthe Florentine art, even at its climax...   THE FLORENTINES AND ROMANS: There was a severity and austerity aboutthe Florentine art, even at its climaxの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...Hewas the best brushman and colorist of the Florentine school...   Hewas the best brushman and colorist of the Florentine schoolの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...There was Florentine drawing in hiswork, great regard for finish, and something of Correggio's softnessin shadows pitched in a browner key...   There was Florentine drawing in hiswork, great regard for finish, and something of Correggios softnessin shadows pitched in a browner keyの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...As it was,his frescoes at once became, and for as long asthere were real artists among them remained,the training-school of Florentine painters...   As it was,his frescoes at once became, and for as long asthere were real artists among them remained,the training-school of Florentine paintersの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Descriptive name for Florentine painter whose realname appears to have been Bartolommeo diGiovanni...   Descriptive name for Florentine painter whose realname appears to have been Bartolommeo diGiovanniの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Pupil of Fra Filippo; influencedslightly by Castagno’s works; imitated most ofhis Florentine contemporaries, especially Botticelli,Ghirlandajo, and Amico di Sandro...   Pupil of Fra Filippo; influencedslightly by Castagno’s works; imitated most ofhis Florentine contemporaries, especially Botticelli,Ghirlandajo, and Amico di Sandroの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...FrancescoTraini, a Florentine, is known as much superior to his master, by alarge picture which is in the church of S...   FrancescoTraini, a Florentine, is known as much superior to his master, by alarge picture which is in the church of Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

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