..., all in cloisonné work, with beautiful stones such as lapis lazuli, green felspar, and carnelian taking the place of coloured enamels...
L.W. King and H.R. Hall 「History Of Egypt, Chaldæa, Syria, Babylonia, And Assyria In The Light Of Recent Discovery」
...Many Fayûm mummies were coated with plaster orstucco, the texts and religious designs, which are generally painted, beingformed of glass enamels incrusted upon the surface of the plaster...
Gaston Camille Charles Maspero 「Manual Of Egyptian Archaeology And Guide To The Study Of Antiquities In Egypt」
...Having no jewellery, theyuse little of the precious metals; iron, bronze, enamels, wood and lac,being the chief materials utilised in the decorative arts of Japan...
Richard Glazier 「A Manual of Historic Ornament」
..., 1400-82, produced many beautiful terra cotta reliefs coated withthe white tin enamel and enriched with coloured enamels...
Richard Glazier 「A Manual of Historic Ornament」
...Gold cloisons with opaque and translucent enamels werefrequently inserted in iron or silver objects by the Japanese of thisperiod...
Richard Glazier 「A Manual of Historic Ornament」
...These Champlevé enamels upon bronze have usually an opalescent or cloudyappearance caused by the fusion of the tin in the bronze alloy duringfiring...
Richard Glazier 「A Manual of Historic Ornament」
...Classed among the Champlevé enamels is that method called or “Baisse Taille,” in which the plate is engravedin low relief or beaten up in repoussé and then flooded with translucentenamel...
Richard Glazier 「A Manual of Historic Ornament」
...TheChamplevé enamels of have most beautiful lustrous and transparentblues, greens and reds laid on a pure gold ground...
Richard Glazier 「A Manual of Historic Ornament」
...During the 11th and12th centuries, was renowned for its fine Champlevé enamels, butearly in the 15th century were introduced and Limogesbecame the centre of this art, called late Limoges or ...
Richard Glazier 「A Manual of Historic Ornament」
...Their sculptures, enamels, colour-scheme were ofanother bias...
John W. Bradley 「Illuminated Manuscripts」
...The seven volumeswhich then were covered with crimson velvet andsilver bosses and enamels, are now simply boundin red morocco...
John W. Bradley 「Illuminated Manuscripts」
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