例文・使い方で印象づける「beholder」の覚え方


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...“In the eye of the beholder...   “In the eye of the beholderの読み方
Various 「Ainslee's magazine, Volume 16, No. 2, September, 1905」

...And now shestands on her pedestal in the Metropolitan Museum in New York, givingjoy to the beholder, and—not ordered down by Comstockery...   And now shestands on her pedestal in the Metropolitan Museum in New York, givingjoy to the beholder, and—not ordered down by Comstockeryの読み方
Various 「Mother Earth, Vol. 1 No. 1, March 1906」

...The eye is in truth its finest feature, and never fails to strike the beholder with admiration...   The eye is in truth its finest feature, and never fails to strike the beholder with admirationの読み方
Mayne Reid 「The Hunters' Feast」

... if the statues suggest the inquiry of "What are they doing there?"the balustrade compels its beholder to ask...    if the statues suggest the inquiry of What are they doing there?the balustrade compels its beholder to askの読み方
John Ruskin 「The Poetry of Architecture」

...Thepower a line possesses of instinctively directing the eye along itscourse is of the utmost value also, enabling the artist toconcentrate the attention of the beholder where he wishes...   Thepower a line possesses of instinctively directing the eye along itscourse is of the utmost value also, enabling the artist toconcentrate the attention of the beholder where he wishesの読み方
Harold Speed 「The Practice and Science Of Drawing」

...Venus and her inspirations are excluded; the charms of love areunknown: but the gods--vast, majestic, in shadowy outline, and inthe awful sublimity of power-pass before and awe the beholder...   Venus and her inspirations are excluded; the charms of love areunknown: but the gods--vast, majestic, in shadowy outline, and inthe awful sublimity of power-pass before and awe the beholderの読み方
Marcius Willson 「Mosaics of Grecian History」

...On viewing the figuresand portraits of those times, they actually appear to look at, and todesire to enter into conversation with the beholder...   On viewing the figuresand portraits of those times, they actually appear to look at, and todesire to enter into conversation with the beholderの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...He always shews, however, a taste for allegory, greatcommand of pencil, and an imposing air on the whole; and the observationof Redi, that "he stuns the beholder," is not without some foundation...   He always shews, however, a taste for allegory, greatcommand of pencil, and an imposing air on the whole; and the observationof Redi, that he stuns the beholder, is not without some foundationの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...In general waved lines were marked down each arm, thigh, and leg; and in some the cheeks were daubed; and lines drawn over each rib, presented to the beholder a truly spectre-like figure...   In general waved lines were marked down each arm, thigh, and leg; and in some the cheeks were daubed; and lines drawn over each rib, presented to the beholder a truly spectre-like figureの読み方
David Collins 「An Account of the English Colony in New South Wales, Vol. 1」

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