例文・使い方で印象づける「Siena」の覚え方


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...The recumbent figure of Ilaria is sculptured inwhite marble with perfect simplicity and beauty; another famous work ofJacopo was the fountain at Siena...   The recumbent figure of Ilaria is sculptured inwhite marble with perfect simplicity and beauty; another famous work ofJacopo was the fountain at Sienaの読み方
Richard Glazier 「A Manual of Historic Ornament」

...Verona's best work is chieflyelsewhere, at Florence, Siena, etc...   Veronas best work is chieflyelsewhere, at Florence, Siena, etcの読み方
John W. Bradley 「Illuminated Manuscripts」

...Pupil of Andrea Pisano;follower of Giotto; influenced by AmbrogioLorenzetti of Siena...   Pupil of Andrea Pisano;follower of Giotto; influenced by AmbrogioLorenzetti of Sienaの読み方
Bernhard Berenson 「The Florentine Painters of the Renaissance」

...Catharine of Siena, where she isrepresented receiving the mystic wounds of the crucifixion...   Catharine of Siena, where she isrepresented receiving the mystic wounds of the crucifixionの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The celebrated battle of Monte Aperto, in which the peopleof Siena defeated the Florentines, happened in 1260...   The celebrated battle of Monte Aperto, in which the peopleof Siena defeated the Florentines, happened in 1260の読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Ugolino da Siena should be referred to this era; he died decrepid in1339, and consequently might have been born before 1260...   Ugolino da Siena should be referred to this era; he died decrepid in1339, and consequently might have been born before 1260の読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...relates in his Annals of Siena, which werenever published, that it cost 2,000 florins; others raise it to 3,000;but not so much on account of the workmanship as the profusion of goldand ultramarine...   relates in his Annals of Siena, which werenever published, that it cost 2,000 florins; others raise it to 3,000;but not so much on account of the workmanship as the profusion of goldand ultramarineの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...But on considering that he flourished about 1380, and thatthere was a less celebrated Simon Martino, in Siena, about 1350,mentioned by Cittadini, I do not judge it right to follow theirauthority...   But on considering that he flourished about 1380, and thatthere was a less celebrated Simon Martino, in Siena, about 1350,mentioned by Cittadini, I do not judge it right to follow theirauthorityの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Catherine of Siena, who, in one of her letters, gives himsome excellent advice on the subject of government...   Catherine of Siena, who, in one of her letters, gives himsome excellent advice on the subject of governmentの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Some of his pictureshave been discovered in the diocese of Siena, by the ArchbishopZondadari, who has formed a good collection of ancient pictures of theSienese school...   Some of his pictureshave been discovered in the diocese of Siena, by the ArchbishopZondadari, who has formed a good collection of ancient pictures of theSienese schoolの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Among other advantages he conferred on the state of Siena, wasthat of adding to its territory the city of Corsignano, his nativeplace; which from him was afterwards called Pienza...   Among other advantages he conferred on the state of Siena, wasthat of adding to its territory the city of Corsignano, his nativeplace; which from him was afterwards called Pienzaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

... This Guido da Siena is, perhaps, the one mentioned by Sacchetti in hiseighty-fourth tale, and of whom there remains a picture in the church ofS...   

This Guido da Siena is, perhaps, the one mentioned by Sacchetti in hiseighty-fourth tale, and of whom there remains a picture in the church ofSの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

「Siena」の意味・発音

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