例文・使い方で印象づける「Pisa」の覚え方


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...Lord Byron's travelling equipage to Pisa in the autumn of 1821,consisted, inter cætera, of nine horses, a monkey, a bull-dog, and amastiff, two cats, three pea-fowls, and some hens...   Lord Byrons travelling equipage to Pisa in the autumn of 1821,consisted, inter cætera, of nine horses, a monkey, a bull-dog, and amastiff, two cats, three pea-fowls, and some hensの読み方
Various 「Heads and Tales」

...Maria della Spina, at Pisa, with its rich crocketed spires andcanopies, features which were repeated a little later at the tomb of thefamous Scaligers at Verona...   Maria della Spina, at Pisa, with its rich crocketed spires andcanopies, features which were repeated a little later at the tomb of thefamous Scaligers at Veronaの読み方
Richard Glazier 「A Manual of Historic Ornament」

...Miniato al Monte near Florence,Annunciation Convent degl' Innocenti Arezzo, frescos CampoSanto Pisa, Coronation Florence Acad...   Miniato al Monte near Florence,Annunciation Convent degl Innocenti Arezzo, frescos CampoSanto Pisa, Coronation Florence Acadの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...FrancescoPisa; Ambrogio Lorenzetti, frescos Palazzo Pubblico Sienna,Triumph of Death (with Pietro Lorenzetti) Campo Santo Pisa,St...   FrancescoPisa; Ambrogio Lorenzetti, frescos Palazzo Pubblico Sienna,Triumph of Death (with Pietro Lorenzetti) Campo Santo Pisa,Stの読み方
John C. Van Dyke 「A Text-Book of the History of Painting」

...He worked during his youth in Pisa, wherethe "leaning tower" stands; then he workedin Florence, finally in Rome, but those earlypictures are long since gone...   He worked during his youth in Pisa, wherethe leaning tower stands; then he workedin Florence, finally in Rome, but those earlypictures are long since goneの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...Othergreat choir books of the earlier period are preservedin the Academy at Pisa...   Othergreat choir books of the earlier period are preservedin the Academy at Pisaの読み方
John W. Bradley 「Illuminated Manuscripts」

...With similar skill he painted inthe inferior church, and this is perhaps the best performance which hasreached our times, though specimens remain in Ravenna, in Padua, inRome, in Florence, and in Pisa...   With similar skill he painted inthe inferior church, and this is perhaps the best performance which hasreached our times, though specimens remain in Ravenna, in Padua, inRome, in Florence, and in Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...It is as rudely executed as the preceding one at Pisa, as Iam assured by the Cavalier Puccini, accurately versed in every branch ofthe fine arts...   It is as rudely executed as the preceding one at Pisa, as Iam assured by the Cavalier Puccini, accurately versed in every branch ofthe fine artsの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...27; also Signor da Morrona in his Pisa Illustrata,p...   27; also Signor da Morrona in his Pisa Illustrata,pの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Maria Novella, he andBernardo painted Paradise, and over against it the Infernal Regions; andin the Campo Santo of Pisa, Death and the Judgment wereexecuted by Andrea, and Hell by Bernardo...   Maria Novella, he andBernardo painted Paradise, and over against it the Infernal Regions; andin the Campo Santo of Pisa, Death and the Judgment wereexecuted by Andrea, and Hell by Bernardoの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...One exception occurs in Antonio Vite, who executed someworks in the old style, in Pistoia, his native city, and in Pisa...   One exception occurs in Antonio Vite, who executed someworks in the old style, in Pistoia, his native city, and in Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...He painted also at Florence, and was one of those who had thehonour of ornamenting the Campo Santo of Pisa with historicalpaintings...   He painted also at Florence, and was one of those who had thehonour of ornamenting the Campo Santo of Pisa with historicalpaintingsの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The mode of expression is derived from theμ'εποιησε of the Greeks; towhich the old Pisans closely adhered in their paintings, theirsculptures, and their bronzes...   The mode of expression is derived from theμεποιησε of the Greeks; towhich the old Pisans closely adhered in their paintings, theirsculptures, and their bronzesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Hisvery correct performances, in the cathedral of Pisa, areexecuted after both masters; but when compared to Cigoli he is moreminute, and has much less softness...   Hisvery correct performances, in the cathedral of Pisa, areexecuted after both masters; but when compared to Cigoli he is moreminute, and has much less softnessの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Stephen's at Pisa...   Stephens at Pisaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Matthew at Pisa,which is their finest work, or their paintings in Siena, and at otherplaces, where they were employed together...   Matthew at Pisa,which is their finest work, or their paintings in Siena, and at otherplaces, where they were employed togetherの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...There is apicture wholly the work of Lippo in Siena; and the author of theDescription of Pisa records one at the church of S...   There is apicture wholly the work of Lippo in Siena; and the author of theDescription of Pisa records one at the church of Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The Primaziale of Pisa, who in the choice of their artistsconsulted no recommendation but that of character, employed him on aconsiderable work, representing S...   The Primaziale of Pisa, who in the choice of their artistsconsulted no recommendation but that of character, employed him on aconsiderable work, representing Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

「Pisa」の意味・発音

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