例文・使い方で印象づける「Perugia」の覚え方


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...Perhaps the earliest examples known are the hexagonal pulpit in theBaptistery at Pisa, a similar one in the Cathedral at Siena, and thefountain at Perugia, all by Nicolo Pisano (1206-76)...   Perhaps the earliest examples known are the hexagonal pulpit in theBaptistery at Pisa, a similar one in the Cathedral at Siena, and thefountain at Perugia, all by Nicolo Pisano (1206-76)の読み方
Richard Glazier 「A Manual of Historic Ornament」

...in Perugia...   in Perugiaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

... In 1454 he was in great credit at Perugia...   

In 1454 he was in great credit at Perugiaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...About the same time flourished in Perugia P...   About the same time flourished in Perugia Pの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Andrea, at Perugia...   Andrea, at Perugiaの読み方
Estelle M. Hurll 「The Madonna in Art」

...On an ancient picture, which is preserved in Perugia, in the conventof S...   On an ancient picture, which is preserved in Perugia, in the conventof Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Sepolcro, Foligno, and Perugia, present uswith artists of greater celebrity...   Sepolcro, Foligno, and Perugia, present uswith artists of greater celebrityの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He has thus represented, withlittle variation, the Ascensions of our Lord and of the Virgin, inBologna, in Florence, Perugia, and Città di S...   He has thus represented, withlittle variation, the Ascensions of our Lord and of the Virgin, inBologna, in Florence, Perugia, and Città di Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...I have observed it in a Holy Family, in theCarmine in Perugia...   I have observed it in a Holy Family, in theCarmine in Perugiaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

..." When his works in Perugia are inspected, hegenerally rises in the esteem of travellers, of whom many have only seenpaintings incorrectly ascribed to him...    When his works in Perugia are inspected, hegenerally rises in the esteem of travellers, of whom many have only seenpaintings incorrectly ascribed to himの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...There, according to Pascoli, the father was born, whoafterwards removed to Perugia, where Pietro was born; but the greaterprobability is, that Pietro also was born in Città della Pieve...   There, according to Pascoli, the father was born, whoafterwards removed to Perugia, where Pietro was born; but the greaterprobability is, that Pietro also was born in Città della Pieveの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Forsaking Rome, therefore, he resided forsome time in Perugia, and a longer period in Urbino, from whence hedespatched his pictures from time to time to Rome and other places...   Forsaking Rome, therefore, he resided forsome time in Perugia, and a longer period in Urbino, from whence hedespatched his pictures from time to time to Rome and other placesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...We are told of two scholars who came tohim at the same time from Perugia, Giandomenico Cerrini, and Luigi, theson of Giovanni Antonio Scaramuccia...   We are told of two scholars who came tohim at the same time from Perugia, Giandomenico Cerrini, and Luigi, theson of Giovanni Antonio Scaramucciaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Francesco di Perugia, togetherwith that of Girolamo Marinelli, his fellow citizen and contemporary, ofwhom I never found any other notice...   Francesco di Perugia, togetherwith that of Girolamo Marinelli, his fellow citizen and contemporary, ofwhom I never found any other noticeの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Agostino in Perugia, and in part of it alimbo of saints, certainly not designed by the light of Lodovico's lamp,if indeed it ought not to be considered that this lunette is by anotherhand...   Agostino in Perugia, and in part of it alimbo of saints, certainly not designed by the light of Lodovicos lamp,if indeed it ought not to be considered that this lunette is by anotherhandの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Stephen in the Duomo of Perugia, and the S...   Stephen in the Duomo of Perugia, and the Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

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