例文・使い方で印象づける「Genoa」の覚え方


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...Thefur of the mole is very short, fine, and close, and is as smooth andsoft as Genoa velvet...   Thefur of the mole is very short, fine, and close, and is as smooth andsoft as Genoa velvetの読み方
R. Lee 「Anecdotes of the Habits and Instinct of Animals」

... A pious but unfounded tradition identifies this picture of Edessa with theone preserved in Genoa, in the church of S...    A pious but unfounded tradition identifies this picture of Edessa with theone preserved in Genoa, in the church of Sの読み方
Rodolfo Lanciani 「Pagan and Christian Rome」

...Starting at Genoa, I went to Massa and Pisa and Lucca; from Luccafollowing the valley of the Serchio as far north as Castelnuovo...   Starting at Genoa, I went to Massa and Pisa and Lucca; from Luccafollowing the valley of the Serchio as far north as Castelnuovoの読み方
Various 「The American Journal of Archaeology, 1893-1」

...They went to Genoa, thence to the great art-centresof Italy, were received everywherewith honour, and the artist bought wisely...   They went to Genoa, thence to the great art-centresof Italy, were received everywherewith honour, and the artist bought wiselyの読み方
Dolores Bacon 「Pictures Every Child Should Know」

...In 1583 Giovanni Battista Scorza of Genoa,who is celebrated in the “Galleria” of theCavaliero Marini, was invited by the King totake part in his great choir-book scheme...   In 1583 Giovanni Battista Scorza of Genoa,who is celebrated in the “Galleria” of theCavaliero Marini, was invited by the King totake part in his great choir-book schemeの読み方
John W. Bradley 「Illuminated Manuscripts」

...; and for what he hassaid of Genoa, by Ratti, in the lives of the painters of that city...   ; and for what he hassaid of Genoa, by Ratti, in the lives of the painters of that cityの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...While thus employed, on his return from Genoa in December, 1793, heexperienced a first attack of apoplexy, as he was passing the mountainsof Massa and Carrara...   While thus employed, on his return from Genoa in December, 1793, heexperienced a first attack of apoplexy, as he was passing the mountainsof Massa and Carraraの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...Peter, at Genoa, which wasbut a miserable performance; a single production, however, is notsufficient to decide the character of an artist...   Peter, at Genoa, which wasbut a miserable performance; a single production, however, is notsufficient to decide the character of an artistの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...This style pleased at Florence, in Rome, and moreespecially at Genoa, where he was preferred to Sorri, many yearsestablished and in good repute...   This style pleased at Florence, in Rome, and moreespecially at Genoa, where he was preferred to Sorri, many yearsestablished and in good reputeの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...The choicest adorn the royal palace of Turin, and somehouses in Genoa...   The choicest adorn the royal palace of Turin, and somehouses in Genoaの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 1 (of 6)」

...They tried this with one and found that the quantity ofgold was so small that it was not worth the trouble, and so the otherswere spared and sold to a merchant of Genoa...   They tried this with one and found that the quantity ofgold was so small that it was not worth the trouble, and so the otherswere spared and sold to a merchant of Genoaの読み方
Jennie Ellis Keysor 「Great Artists, Vol 1.」

...There are many works by him in Lucca, andPisa, but more particularly in Genoa, where we shall have occasion againto consider him as the origin of a celebrated school...   There are many works by him in Lucca, andPisa, but more particularly in Genoa, where we shall have occasion againto consider him as the origin of a celebrated schoolの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...In the Duomo of Genoa is aCrucifixion by him, with the Virgin and S...   In the Duomo of Genoa is aCrucifixion by him, with the Virgin and Sの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He afterwards married asister of this young artist, and subsequently procured herassassination, for which he was sentenced to death in Genoa, but hissentence was commuted for five years imprisonment...   He afterwards married asister of this young artist, and subsequently procured herassassination, for which he was sentenced to death in Genoa, but hissentence was commuted for five years imprisonmentの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...He painted also in Genoa and Turin, and in these cities and in both thestates, we find some beautiful works, the more so as they resembleRubens in tone, to whose style of colour he aspired...   He painted also in Genoa and Turin, and in these cities and in both thestates, we find some beautiful works, the more so as they resembleRubens in tone, to whose style of colour he aspiredの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...The works of Maja and Campora areto be found in Genoa, those of Sassi in Milan, and of others of theschool of Solimene in various cities...   The works of Maja and Campora areto be found in Genoa, those of Sassi in Milan, and of others of theschool of Solimene in various citiesの読み方
Luigi Antonio Lanzi Thomas Roscoe 「The History of Painting in Italy, Vol. 2 (of 6)」

...Hestudied at Genoa and Bologna, and was afterwards appointed to the Chairof Astronomy at the latter University...   Hestudied at Genoa and Bologna, and was afterwards appointed to the Chairof Astronomy at the latter Universityの読み方
Thomas Orchard 「The Astronomy of Milton's 'Paradise Lost'」

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